Pages home > Music Production - The number of Layers is simply too Much?

Music Production - The number of Layers is simply too Much?

Music
When it comes to layering tracks and beats, it sometimes can be be extremely tough to know when you stop. We could keep layering and dumping more on top of the same tracks until we're satisfied, but should it sound okay to everybody? On this page we're basically going to discuss the best way to know when enough is enough.

hit
First of all, the number of layers and instruments needed can be deduced right down to this: for those who have gotten your point across, it's probably a good time to prevent. And this is wise talk. A famous mixing engineer once said: if you can't read it, it shouldn't maintain a combination. And we should really live by this saying. Something else I regularly tell clients is this: when it adds nothing unique to the song, can it really need to maintain there? The weakest part of a track is the track. This means that the very last thing you set could bring the entire thing down unless it's absolutely magnificent sonically and emotionally.

Simple and easy plain music can be be extremely attractive. In addition, it pushes you to make smarter music. It forces you to treat each track like it was the only real track in the song. Hell, maybe it really is! That should be your mindset.

At the end of the morning, however big you want to you could make your track is up to you. It is best to listen to your audience, though, so get feedback and appearance it over closely and with no anger whether it's negative. Take it in and think about the points made. If you achieve nothing but positive feedback, then you already know you're heading within the right direction.

Some instruments stack superior to others, at the same time. Let us take the piano for instance. You'd in no case need to stack 2 pianos playing the identical notes, and in many cases playing different notes, it's going to be challenging to stack these harmonically. If they sound precisely the same, it's going to be quite challenging.

However, some artists have attempted having two pianos playing simultaneously; they merely ensure they have got different character and they are distinguishable. If you are gonna attempt this, apply some reverb to one piano to achieve the far-away and close-up effect. The listener will hear one-time in the distance and the other very close. To make it more realistic, apply about 5% of the same reverb about the close piano and choose a hall patch. On your audience it'll appear to be both pianos come in precisely the same environment.

Last updated 980 days ago by music7z